I think it was at this point I first started to discover how simple the ideas of interactivity are and how playful I really wanted my art to be. It was also at this junction that I really needed to start thinking about how my work exists in a gallery context.

It is my belief that if a work is to be interactive, it must be left almost completely into he hands of the participant. The objects that I choose for the encounters will have to be picked because of they own inner intentions, that can almost be instinctively adopted by the participants.

In other words, I can’t tell them what to do with the objects, but I need to give them a little push by using certain objects that the audience can be interested by and intentional positions of these objects to get best results.